Fifty Shades of Grey (The Fifty Shades Trilogy)

<br />Fifty Shades of Grey (The Fifty Shades Trilogy)


Product ASIN:

0345803485

Product Description

MORE THAN 100 MILLION COPIES SOLD WORDWIDE
NOW A MAJOR MOTION PICTURE


When literature student Anastasia Steele goes to interview young entrepreneur Christian Grey, she encounters a man who is beautiful, brilliant, and intimidating. The unworldly, innocent Ana is startled to realize she wants this man and, despite his enigmatic reserve, finds she is desperate to get close to him. Unable to resist Ana’s quiet beauty, wit, and independent spirit, Grey admits he wants her, too—but on his own terms.
 
Shocked yet thrilled by Grey’s singular erotic tastes, Ana hesitates. For all the trappings of success—his multinational businesses, his vast wealth, his loving family—Grey is a man tormented by demons and consumed by the need to control. When the couple embarks on a daring, passionately physical affair, Ana discovers Christian Grey’s secrets and explores her own dark desires.

This book is intended for mature audiences.


Product Details

  • Amazon Sales Rank: #15 in Books
  • Brand: Random House
  • Published on: 2012-04-03
  • Released on: 2012-04-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .86" w x 5.13" l, .84 pounds
  • Binding: Paperback
  • 514 pages

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  • Great product!

Editorial Reviews

Review
A GoodReads Choice Awards Finalist for Best Romance

"In a class by itself." 
Entertainment Weekly

About the Author
E L James is a former TV executive, wife and mother of two based in West London. Since early childhood she dreamed of writing stories that readers would fall in love with, but put those dreams on hold to focus on her family and her career. She finally plucked up the courage to put pen to paper with her first novel, Fifty Shades of Grey.

Excerpt. © Reprinted by permission. All rights reserved.
CHAPTER ONE
 
I scowl with frustration at myself in the mirror. Damn my hair—it just won’t behave, and damn Katherine Kavanagh for being ill and subjecting me to this ordeal. I should be studying for my final exams, which are next week, yet here I am trying to brush my hair into submission. I must not sleep with it wet. I must not sleep with it wet. Reciting this mantra several times, I attempt, once more, to bring it under control with the brush. I roll my eyes in exasperation and gaze at the pale, brown-haired girl with blue eyes too big for her face staring back at me, and give up. My only option is to restrain my wayward hair in a ponytail and hope that I look semi-presentable.
 
Kate is my roommate, and she has chosen today of all days to succumb to the flu. Therefore, she cannot attend the interview she’d arranged to do, with some mega-industrialist tycoon I’ve never heard of, for the student newspaper. So I have been volunteered. I have final exams to cram for and one essay to finish, and I’m supposed to be working this afternoon, but no—today I have to drive 165 miles to downtown Seattle in order to meet the enigmatic CEO of Grey Enterprises Holdings, Inc. As an exceptional entrepreneur and major benefactor of our university, his time is extraordinarily precious—much more precious than mine—but he has granted Kate an interview. A real coup, she tells me. Damn her extracurricular activities.
 
Kate is huddled on the couch in the living room.
 
“Ana, I’m sorry. It took me nine months to get this interview. It will take another six to reschedule, and we’ll both have graduated by then. As the editor, I can’t blow this off. Please,” Kate begs me in her rasping, sore throat voice. How does she do it? Even ill she looks gamine and gorgeous, strawberry blond hair in place and green eyes bright, although now red rimmed and runny. I ignore my pang of unwelcome sympathy.
 
“Of course I’ll go, Kate. You should get back to bed. Would you like some NyQuil or Tylenol?”
 
“NyQuil, please. Here are the questions and my digital recorder. Just press record here. Make notes, I’ll transcribe it all.”
 
“I know nothing about him,” I murmur, trying and failing to suppress my rising panic.
 
“The questions will see you through. Go. It’s a long drive. I don’t want you to be late.”
 
“Okay, I’m going. Get back to bed. I made you some soup to heat up later.” I stare at her fondly. Only for you, Kate, would I do this.
 
“I will. Good luck. And thanks, Ana—as usual, you’re my lifesaver.”
 
Gathering my backpack, I smile wryly at her, then head out the door to the car. I cannot believe I have let Kate talk me into this. But then Kate can talk anyone into anything. She’ll make an exceptional journalist. She’s articulate, strong, persuasive, argumentative, beautiful—and she’s my dearest, dearest friend.
 
 
The roads are clear as I set off from Vancouver, Washington, toward Interstate 5. It’s early, and I don’t have to be in Seattle until two this afternoon. Fortunately, Kate has lent me her sporty Mercedes CLK. I’m not sure Wanda, my old VW Beetle, would make the journey in time. Oh, the Merc is a fun drive, and the miles slip away as I hit the pedal to the metal.
 
My destination is the headquarters of Mr. Grey’s global enterprise. It’s a huge twenty-story office building, all curved glass and steel, an architect’s utilitarian fantasy, with GREY HOUSE written discreetly in steel over the glass front doors. It’s a quarter to two when I arrive, greatly relieved that I’m not late as I walk into the enormous—and frankly intimidating—glass, steel, and white sandstone lobby.
 
Behind the solid sandstone desk, a very attractive, groomed, blonde young woman smiles pleasantly at me. She’s wearing the sharpest charcoal suit jacket and white shirt I have ever seen. She looks immaculate.
 
“I’m here to see Mr. Grey. Anastasia Steele for Katherine Kavanagh.”
 
“Excuse me one moment, Miss Steele.” She arches her eyebrow as I stand self-consciously before her. I’m beginning to wish I’d borrowed one of Kate’s formal blazers rather than worn my navy-blue jacket. I have made an effort and worn my one and only skirt, my sensible brown knee-length boots, and a blue sweater. For me, this is smart. I tuck one of the escaped tendrils of my hair behind my ear as I pretend she doesn’t intimidate me.
 
“Miss Kavanagh is expected. Please sign in here, Miss Steele. You’ll want the last elevator on the right, press for the twentieth floor.” She smiles kindly at me, amused no doubt, as I sign in.
 
She hands me a security pass that has “visitor” very firmly stamped on the front. I can’t help my smirk. Surely it’s obvious that I’m just visiting. I don’t fit in here at all. Nothing changes. I inwardly sigh. Thanking her, I walk over to the bank of elevators and past the two security men who are both far more smartly dressed than I am in their well-cut black suits.
 
The elevator whisks me at terminal velocity to the twentieth floor. The doors slide open, and I’m in another large lobby—again all glass, steel, and white sandstone. I’m confronted by another desk of sandstone and another young blonde woman, this time dressed impeccably in black and white, who rises to greet me.
 
“Miss Steele, could you wait here, please?” She points to a seated area of white leather chairs.
 
Behind the leather chairs is a spacious glass-walled meeting room with an equally spacious dark wood table and at least twenty matching chairs around it. Beyond that, there is a floor-to-ceiling window with a view of the Seattle skyline that looks out through the city toward the Sound. It’s a stunning vista, and I’m momentarily paralyzed by the view. Wow.
 
I sit down, fish the questions from my backpack, and go through them, inwardly cursing Kate for not providing me with a brief biography. I know nothing about this man I’m about to interview. He could be ninety or he could be thirty. The uncertainty is galling, and my nerves resurface, making me fidget. I’ve never been comfortable with one-on-one interviews, preferring the anonymity of a group discussion where I can sit inconspicuously at the back of the room. To be honest, I prefer my own company, reading a classic British novel, curled up in a chair in the campus library. Not sitting twitching nervously in a colossal glass-and-stone edifice.
 
I roll my eyes at myself. Get a grip, Steele. Judging from the building, which is too clinical and modern, I guess Grey is in his forties: fit, tanned, and fair-haired to match the rest of the personnel.
 
Another elegant, flawlessly dressed blonde comes out of a large door to the right. What is it with all the immaculate blondes? It’s like Stepford here. Taking a deep breath, I stand up.
 
“Miss Steele?” the latest blonde asks.
 
“Yes,” I croak, and clear my throat. “Yes.” There, that sounded more confident.
 
“Mr. Grey will see you in a moment. May I take your jacket?”
 
“Oh, please.” I struggle out of the jacket.
 
“Have you been offered any refreshment?”
 
“Um—no.” Oh dear, is Blonde Number One in trouble?
 
Blonde Number Two frowns and eyes the young woman at the desk.
“Would you like tea, coffee, water?” she asks, turning her attention back to me.
 
“A glass of water. Thank you,” I murmur.
 
“Olivia, please fetch Miss Steele a glass of water.” Her voice is stern. Olivia scoots up and scurries to a door on the other side of the foyer.
 
“My apologies, Miss Steele, Olivia is our new intern. Please be seated. Mr. Grey will be another five minutes.”
 
Olivia returns with a glass of iced water.
 
“Here you go, Miss Steele.”
 
“Thank you.”
 
Blonde Number Two marches over to the large desk, her heels clicking and echoing on the sandstone floor. She sits down, and they both continue their work.
 
Perhaps Mr. Grey insists on all his employees being blonde. I’m wondering idly if that’s legal, when the office door opens and a tall, elegantly dressed, attractive African American man with short dreads exits. I have definitely worn the wrong clothes.
 
He turns and says through the door, “Golf this week, Grey?”
 
I don’t hear the reply. He turns, sees me, and smiles, his dark eyes crinkling at the corners. Olivia has jumped up and called the elevator. She seems to excel at jumping from her seat. She’s more nervous than me!
 
“Good afternoon, ladies,” he says as he departs through the sliding door.
 
“Mr. Grey will see you now, Miss Steele. Do go through,” Blonde Number Two says. I stand rather shakily, trying to suppress my nerves. Gathering up my backpack, I abandon my glass of water and make my way to the partially open door.
 
“You don’t need to knock—just go in.” She smiles kindly.
 
I push open the door and stumble through, tripping over my own feet and falling headfirst into the office.
 
Double crap—me and my two left feet! I am on my hands and knees in the doorway to Mr. Grey’s office, and gentle hands are around me, helping me to stand. I am so embarrassed, damn my clumsiness. I have to steel myself to glance up. Holy cow—he’s so young.
 
“Miss Kavanagh.” He extends a long-fingered hand to me once I’m upright. “I’m Christian Grey. Are you all right? Would you like to sit?”
 
So young—and attractive, very attractive. He’s tall, dressed in a fine gray suit, white shirt, and black tie with unruly dark copper-colored hair and intense, bright gray eyes that regard me shrewdly. It takes a moment for me to find my voice.  
 
“Um. Actually—” I mutter. If this guy is over thirty, then I’m a monkey’s uncle. In a daze, I place my hand in his and we shake. As our fingers touch, I feel an odd exhilarating shiver run through me. I withdraw my hand hastily, embarrassed. Must be static. I blink rapidly, my eyelids matching my heart rate.
 
“Miss Kavanagh is indisposed, so she sent me. I hope you don’t mind, Mr. Grey.”
 
“And you are?” His voice is warm, possibly amused, but it’s difficult to tell from his impassive expression. He looks mildly interested but, above all, polite.
 
“Anastasia Steele. I’m studying English literature with Kate, um . . . Katherine . . . um . . . Miss Kavanagh, at WSU Vancouver.”
 
“I see,” he says simply. I think I see the ghost of a smile in his expression, but I’m not sure.
 
“Would you like to sit?” He waves me toward an L-shaped white leather couch.
 
His office is way too big for just one man. In front of the floor-to-ceiling windows, there’s a modern dark wood desk that six people could comfortably eat around. It matches the coffee table by the couch. Everything else is white—ceiling, floors, and walls, except for the wall by the door, where a mosaic of small paintings hang, thirty-six of them arranged in a square. They are exquisite—a series of mundane, forgotten objects painted in such precise detail they look like photographs. Displayed together, they are breathtaking.
 
“A local artist. Trouton,” says Grey when he catches my gaze.
 
“They’re lovely. Raising the ordinary to extraordinary,” I murmur, distracted both by him and the paintings. He cocks his head to one side and regards me intently.
 
“I couldn’t agree more, Miss Steele,” he replies, his voice soft, and for some inexplicable reason I find myself blushing.
 
Apart from the paintings, the rest of the office is cold, clean, and clinical. I wonder if it reflects the personality of the Adonis who sinks gracefully into one of the white leather chairs opposite me. I shake my head, disturbed at the direction of my thoughts, and retrieve Kate’s questions from my backpack. Next, I set up the digital recorder and am all fingers and thumbs, dropping it twice on the coffee table in front of me. Mr. Grey says nothing, waiting patiently—I hope—as I become increasingly embarrassed and flustered. When I pluck up the courage to look at him, he’s watching me, one hand relaxed in his lap and the other cupping his chin and trailing his long index finger across his lips. I think he’s trying to suppress a smile.
 
“S-sorry,” I stutter. “I’m not used to this.”
 
“Take all the time you need, Miss Steele,” he says.
 
“Do you mind if I record your answers?”
 
“After you’ve taken so much trouble to set up the recorder, you ask me now?”
 
I flush. He’s teasing me? I hope. I blink at him, unsure what to say, and I think he takes pity on me because he relents. “No, I don’t mind.”
 
“Did Kate, I mean, Miss Kavanagh, explain what the interview was for?”
 
“Yes. To appear in the graduation issue of the student newspaper as I shall be conferring the degrees at this year’s graduation ceremony.”
 
Oh! This is news to me, and I’m temporarily preoccupied by the thought that someone not much older than me—okay, maybe six years or so, and okay, mega-successful, but still—is going to present me with my degree. I frown, dragging my wayward attention back to the task at hand.
 
“Good.” I swallow nervously. “I have some questions, Mr. Grey.” I smooth a stray lock of hair behind my ear.
 
“I thought you might,” he says, deadpan. He’s laughing at me. My cheeks heat at the realization, and I sit up and square my shoulders in an attempt to look taller and more intimidating. Pressing the start button on the recorder, I try to look professional.
 
“You’re very young to have amassed such an empire. To what do you owe your success?” I glance up at him. His smile is rueful, but he looks vaguely disappointed.
 
“Business is all about people, Miss Steele, and I’m very good at judging people. I know how they tick, what makes them flourish, what doesn’t, what inspires them, and how to incentivize them. I employ an exceptional team, and I reward them well.” He pauses and fixes me with his gray stare. “My belief is to achieve success in any scheme one has to make oneself master of that scheme, know it inside and out, know every detail. I work hard, very hard to do that. I make decisions based on logic and facts. I have a natural gut instinct that can spot and nurture a good solid idea and good people. The bottom line is it’s always down to good people.”
 
“Maybe you’re just lucky.” This isn’t on Kate’s list—but he’s so arrogant. His eyes flare momentarily in surprise.
 
“I don’t subscribe to luck or chance, Miss Steele. The harder I work the more luck I seem to have. It really is all about having the right people on your team and directing their energies accordingly. I think it was Harvey Firestone who said, ‘The growth and development of people is the highest calling of leadership.’ ”
 
“You sound like a control freak.” The words are out of my mouth before I can stop them.
 
“Oh, I exercise control in all things, Miss Steele,” he says without a trace of humor in his smile. I look at him, and he holds my gaze steadily, impassive. My heartbeat quickens, and my face flushes again.
 
Why does he have such an unnerving effect on me? His overwhelming good looks maybe? The way his eyes blaze at me? The way he strokes his index finger against his lower lip? I wish he’d stop doing that.
 
“Besides, immense power is acquired by assuring yourself in your secret reveries that you were born to control things,” he continues, his voice soft.
 
“Do you feel that you have immense power?” Control freak.
 
“I employ over forty thousand people, Miss Steele. That gives me a certain sense of responsibility—power, if you will. If I were to decide I was no longer interested in the telecommunications business and sell, twenty thousand people would struggle to make their mortgage payments after a month or so.”
 
My mouth drops open. I am staggered by his lack of humility.
 
“Don’t you have a board to answer to?” I ask, disgusted.
 
“I own my company. I don’t have to answer to a board.” He raises an eyebrow at me. Of course, I would know this if I had done some research. But holy crap, he’s arrogant. I change tack.
 
“And do you have any interests outside your work?”
 
“I have varied interests, Miss Steele.” A ghost of a smile touches his lips. “Very varied.” And for some reason, I’m confounded and heated by his steady gaze. His eyes are alight with some wicked thought.
 
“But if you work so hard, what do you do to chill out?”
 
“Chill out?” He smiles, revealing perfect white teeth. I stop breathing. He really is beautiful. No one should be this good-looking.
 
“Well, to ‘chill out,’ as you put it—I sail, I fly, I indulge in various physical pursuits.” He shifts in his chair. “I’m a very wealthy man, Miss Steele, and I have expensive and absorbing hobbies.”
 
I glance quickly at Kate’s questions, wanting to get off this subject.
 
“You invest in manufacturing. Why, specifically?” I ask. Why does he make me so uncomfortable?
 
“I like to build things. I like to know how things work: what makes things tick, how to construct and deconstruct. And I have a love of ships. What can I say?”
 
“That sounds like your heart talking rather than logic and facts.”
 
His mouth quirks up, and he stares appraisingly at me.
 
“Possibly. Though there are people who’d say I don’t have a heart.”
 
“Why would they say that?”
 
“Because they know me well.” His lip curls in a wry smile.
 
“Would your friends say you’re easy to get to know?” And I regret the question as soon as I say it. It’s not on Kate’s list.
 
“I’m a very private person, Miss Steele. I go a long way to protect my privacy. I don’t often give interviews . . .”
 
“Why did you agree to do this one?”
 
“Because I’m a benefactor of the university, and for all intents and purposes, I couldn’t get Miss Kavanagh off my back. She badgered and badgered my PR people, and I admire that kind of tenacity.”
 
I know how tenacious Kate can be. That’s why I’m sitting here squirming uncomfortably under his penetrating gaze, when I should be studying for my exams.
 
“You also invest in farming technologies. Why are you interested in that area?”
 
“We can’t eat money, Miss Steele, and there are too many people on this planet who don’t have enough to eat.”
 
“That sounds very philanthropic. Is it something you feel passionately about? Feeding the world’s poor?”
 
He shrugs noncommittally.
 
“It’s shrewd business,” he murmurs, though I think he’s being disingenuous. It doesn’t make sense—feeding the world’s poor? I can’t see the financial benefit of this, only the virtue of the ideal. I glance at the next question, confused by his attitude.
 
“Do you have a philosophy? If so, what is it?”
 
“I don’t have a philosophy as such. Maybe a guiding principle—Carnegie’s: ‘A man who acquires the ability to take full possession of his own mind may take possession of anything else to which he is justly entitled.’ I’m very singular, driven. I like control—of myself and those around me.”
 
“So you want to possess things?” You are a control freak.
 
“I want to deserve to possess them, but yes, bottom line, I do.”
 
“You sound like the ultimate consumer.”
 
“I am.” He smiles, but the smile doesn’t touch his eyes. Again, this is at odds with someone who wants to feed the world, so I can’t help thinking that we’re talking about something else, but I’m mystified as to what it is. I swallow hard. The temperature in the room is rising, or maybe it’s just me. I just want this interview to be over. Surely Kate has enough material now. I glance at the next question.
 
“You were adopted. How much do you think that’s shaped the way you are?” Oh, this is personal. I stare at him, hoping he’s not offended. His brow furrows.
 
“I have no way of knowing.”
 
My interest is piqued. “How old were you when you were adopted?”
 
“That’s a matter of public record, Miss Steele.” His tone is stern. Crap. Yes, of course—if I’d known I was doing this interview, I would have done some research. Flustered, I move on quickly.
 
“You’ve had to sacrifice family life for your work.”
 
“That’s not a question.” He’s terse.
 
“Sorry.” I squirm; he’s made me feel like an errant child. I try again. “Have you had to sacrifice family life for your work?”
 
“I have a family. I have a brother and a sister and two loving parents. I’m not interested in extending my family beyond that.”
 
“Are you gay, Mr. Grey?”
 
He inhales sharply, and I cringe, mortified. Crap. Why didn’t I employ some kind of filter before I read this straight out? How can I tell him I’m just reading the questions? Damn Kate and her curiosity!
 
“No, Anastasia, I’m not.” He raises his eyebrows, a cool gleam in his eyes. He does not look pleased.
 
“I apologize. It’s, um . . . written here.” It’s the first time he’s said my name. My heartbeat has accelerated, and my cheeks are heating up again. Nervously, I tuck my loosened hair behind my ear.
 
He cocks his head to one side.
 
“These aren’t your own questions?”
 
The blood drains from my head.
 
“Er . . . no. Kate—Miss Kavanagh—she compiled the questions.”
 
“Are you colleagues on the student paper?” Oh no. I have nothing to do with the student paper. It’s her extracurricular activity, not mine. My face is aflame.
 
“No. She’s my roommate.”
 
He rubs his chin in quiet deliberation, his gray eyes appraising me.
 
“Did you volunteer to do this interview?” he asks, his voice deadly quiet.
 
Hang on, who’s supposed to be interviewing whom? His eyes burn into me, and I’m compelled to answer with the truth.
 
“I was drafted. She’s not well.” My voice is weak and apologetic.
 
“That explains a great deal.”
 
There’s a knock at the door, and Blonde Number Two enters.
 
“Mr. Grey, forgive me for interrupting, but your next meeting is in two minutes.”
 
“We’re not finished here, Andrea. Please cancel my next meeting.”
 
Andrea hesitates, gaping at him. She appears lost. He turns his
head slowly to face her and raises his eyebrows. She flushes bright
pink. Oh, good. It’s not just me.
 
“Very well, Mr. Grey,” she mutters, then exits. He frowns, and turns his attention back to me.
 
“Where were we, Miss Steele?”
 
Oh, we’re back to “Miss Steele” now.
 
“Please, don’t let me keep you from anything.”
 
“I want to know about you. I think that’s only fair.” His eyes are alight with curiosity. Double crap. Where’s he going with this? He places his elbows on the arms of the chair and steeples his fingers in front of his mouth. His mouth is very . . . distracting. I swallow.
 
“There’s not much to know.”
 
“What are your plans after you graduate?”
 
I shrug, thrown by his interest. Move to Seattle with Kate, find a job. I haven’t really thought beyond my finals.
 
“I haven’t made any plans, Mr. Grey. I just need to get through my final exams.” Which I should be studying for right now, rather than sitting in your palatial, swanky, sterile office, feeling uncomfortable under your penetrating gaze.
 
“We run an excellent internship program here,” he says quietly. I raise my eyebrows in surprise. Is he offering me a job?
 
“Oh. I’ll bear that in mind,” I murmur, confounded. “Though I’m not sure I’d fit in here.” Oh no. I’m musing out loud again.
 
“Why do you say that?” He tilts his head to one side, intrigued, a hint of a smile playing on his lips.
 
“It’s obvious, isn’t it?” I’m uncoordinated, scruffy, and I’m not blonde.
 
“Not to me.” His gaze is intense, all humor gone, and strange muscles deep in my belly clench suddenly. I tear my eyes away from his scrutiny and stare blindly down at my knotted fingers. What’s going on? I have to go—now. I lean forward to retrieve the recorder.
 
“Would you like me to show you around?” he asks.
 
“I’m sure you’re far too busy, Mr. Grey, and I do have a long drive.”
 
“You’re driving back to Vancouver?” He sounds surprised, anxious even. He glances out of the window. It’s begun to rain. “Well, you’d better drive carefully.” His tone is stern, authoritative. Why should he care? “Did you get everything you need?” he adds.
 
“Yes, sir,” I reply, packing the recorder into my backpack. His eyes narrow, speculatively.
 
“Thank you for the interview, Mr. Grey.”
 
“The pleasure’s been all mine,” he says, polite as ever.
 
As I rise, he stands and holds out his hand.
 
“Until we meet again, Miss Steele.” And it sounds like a challenge, or a threat, I’m not sure which. I frown. When will we ever meet again? I shake his hand once more, astounded that that odd current between us is still there. It must be my nerves.
 
“Mr. Grey.” I nod at him. Moving with lithe athletic grace to the door, he opens it wide.
 
“Just ensuring you make it through the door, Miss Steele.” He gives me a small smile. Obviously, he’s referring to my earlier less-than-elegant entry into his office. I blush.
 
“That’s very considerate, Mr. Grey,” I snap, and his smile widens. I’m glad you find me entertaining, I glower inwardly, walking into the foyer. I’m surprised when he follows me out. Andrea and Olivia both look up, equally surprised.
 
“Did you have a coat?” Grey asks.
 
“A jacket.”
 
Olivia leaps up and retrieves my jacket, which Grey takes from her before she can hand it to me. He holds it up and, feeling ridiculously self-conscious, I shrug it on. Grey places his hands for a moment on my shoulders. I gasp at the contact. If he notices my reaction, he gives nothing away. His long index finger presses the button summoning the elevator, and we stand waiting—awkwardly on my part, coolly self-possessed on his. The doors open, and I hurry in, desperate to escape. I really need to get out of here. When I turn to look at him, he’s gazing at me and leaning against the doorway beside the elevator with one hand on the wall. He really is very, very good-looking. It’s unnerving.
 
“Anastasia,” he says as a farewell.
 
“Christian,” I reply. And mercifully, the doors close.

Fifty Shades Darker

<br />Fifty Shades Darker


Product ASIN:

0345803493

Product Description

MORE THAN 100 MILLION COPIES SOLD WORLDWIDE
FIFTY SHADES OF GREY IS NOW A MAJOR MOTION PICTURE


Daunted by the singular tastes and dark secrets of the beautiful, tormented young entrepreneur Christian Grey, Anastasia Steele has broken off their relationship to start a new career with a Seattle publishing house. 
 
But desire for Christian still dominates her every waking thought, and when he proposes a new arrangement, Anastasia cannot resist. They rekindle their searing sensual affair, and Anastasia learns more about the harrowing past of her damaged, driven and demanding Fifty Shades.
 
While Christian wrestles with his inner demons, Anastasia must confront the anger and envy of the women who came before her, and make the most important decision of her life.

This book is intended for mature audiences. 


Product Details

  • Amazon Sales Rank: #13 in Books
  • Brand: Random House
  • Published on: 2012-04-17
  • Released on: 2012-04-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.94" h x .90" w x 5.11" l, .84 pounds
  • Binding: Paperback
  • 544 pages

Features

  • Erotic Fiction & Erotica

Editorial Reviews

Review
THE NEW YORK TIMES BESTSELLING FIFTY SHADES Trilogy
 
"In a class by itself." 
Entertainment Weekly

About the Author
E L James is a former TV executive, wife and mother of two based in West London. Since early childhood she dreamed of writing stories that readers would fall in love with, but put those dreams on hold to focus on her family and her career. She finally plucked up the courage to put pen to paper with her first novel, Fifty Shades of Grey.

Excerpt. © Reprinted by permission. All rights reserved.
PROLOGUE
 
He’s come back. Mommy’s asleep or she’s sick again.
 
I hide and curl up small under the table in the kitchen. Through my fingers I can see Mommy. She is asleep on the couch. Her hand is on the sticky green rug, and he’s wearing his big boots with the shiny buckle and standing over Mommy shouting.
 
He hits Mommy with a belt. Get up! Get up! You are one fucked-up bitch. You are one fucked-up bitch. You are one fucked-up bitch. You are one fucked-up bitch. You are one fucked-up bitch. You are one fucked-up bitch.
 
Mommy makes a sobbing noise. Stop. Please stop. Mommy doesn’t scream. Mommy curls up small.
 
I have my fingers in my ears, and I close my eyes. The sound stops.
 
He turns and I can see his boots as he stomps into the kitchen. He still has the belt. He is trying to find me.
 
He stoops down and grins. He smells nasty. Of cigarettes and drink. There you are, you little shit.
 
 
A chilling wail wakes him. Christ! He’s drenched in sweat and his heart is pounding. What the fuck? He sits bolt upright in bed and puts his head in hands. Fuck. They’re back. The noise was me. He takes a deep steadying breath, trying to rid his mind and nostrils of the smell of cheap bourbon and stale Camel cigarettes.
 
 
CHAPTER ONE
 
I have survived Day Three Post-Christian, and my first day at work. It has been a welcome distraction. The time has flown by in a haze of new faces, work to do, and Mr. Jack Hyde. Mr. Jack Hyde . . . he smiles down at me, his blue eyes twinkling, as he leans against my desk.
 
“Excellent work, Ana. I think we’re going to make a great
team.”
 
Somehow, I manage to curl my lips upward in a semblance of a smile.
 
“I’ll be off, if that’s okay with you,” I murmur.
 
“Of course, it’s five thirty. I’ll see you tomorrow.”
 
“Good night, Jack.”
 
“Good night, Ana.”
 
Collecting my bag, I shrug on my jacket and head for the door.
Out in the early evening air of Seattle, I take a deep breath. It doesn’t begin to fill the void in my chest, a void that’s been present since Saturday morning, a painful hollow reminder of my loss. I walk toward the bus stop with my head down, staring at my feet and contemplating being without my beloved Wanda, my old Beetle . . . or the Audi.
 
I shut the door on that thought immediately. No. Don’t think about him. Of course, I can afford a car—a nice, new car. I suspect he has been overgenerous in his payment, and the thought leaves a bitter taste in my mouth, but I dismiss it and try to keep my mind as numb and as blank as possible. I can’t think about him. I don’t want to start crying again—not out on the street.
 
The apartment is empty. I miss Kate, and I imagine her lying on a beach in Barbados sipping a cool cocktail. I turn on the flat-screen television so there’s noise to fill the vacuum and provide some semblance of company, but I don’t listen or watch. I sit and stare blankly at the brick wall. I am numb. I feel nothing but the pain. How long must I endure this?
 
The door buzzer startles me from my anguish, and my heart skips a beat. Who could that be? I press the intercom.
 
“Delivery for Ms. Steele.” A bored, disembodied voice answers, and disappointment crashes through me. I listlessly make my way downstairs and find a young man noisily chewing gum, holding a large cardboard box, and leaning against the front door. I sign for the package and take it upstairs. The box is huge and surprisingly light. Inside are two dozen long-stemmed, white roses and a card.
 
 
Congratulations on your first day at work.
I hope it went well.
And thank you for the glider. That was very thoughtful.
It has pride of place on my desk.
Christian
 
 
I stare at the typed card, the hollow in my chest expanding. No doubt, his assistant sent this. Christian probably had very little to do with it. It’s too painful to think about. I examine the roses—they are beautiful, and I can’t bring myself to throw them in the trash. Dutifully, I make my way into the kitchen to hunt down a vase.
 
 
And so a pattern develops: wake, work, cry, sleep. Well, try to sleep. I can’t even escape him in my dreams. Gray burning eyes, his lost look, his hair burnished and bright all haunt me. And the music . . . so much music—I cannot bear to hear any music. I am careful to avoid it at all costs. Even the jingles in commercials make me shudder.
 
I have spoken to no one, not even my mother or Ray. I don’t have the capacity for idle talk now. No, I want none of it. I have become my own island state. A ravaged, war-torn land where nothing grows and the horizons are bleak. Yes, that’s me. I can interact impersonally at work, but that’s it. If I talk to Mom, I know I will break even further—and I have nothing left to break.
 
 
I am finding it difficult to eat. By lunchtime on Wednesday, I manage a cup of yogurt, and it’s the first thing I’ve eaten since Friday. I am surviving on a newfound tolerance for lattes and Diet Coke. It’s the caffeine that keeps me going, but it’s making me anxious.
 
Jack has started to hover over me, irritating me, asking me personal questions. What does he want? I’m polite, but I need to keep him at arm’s length.
 
I sit and begin trawling through a pile of correspondence addressed to him, and I’m pleased with the distraction of menial work. My e-mail pings, and I quickly check to see who it’s from.
 
Holy shit. An e-mail from Christian. Oh no, not here . . . not at work.
 
 
From: Christian Grey
Subject: Tomorrow
Date: June 8 2011 14:05
To: Anastasia Steele
 
Dear Anastasia
 
Forgive this intrusion at work. I hope that it’s going well. Did you get my flowers?
 
I note that tomorrow is the gallery opening for your friend’s show, and I’m sure you’ve not had time to purchase a car, and it’s a long drive. I would be more than happy to take you—should you wish.
 
Let me know.
 
Christian Grey
CEO, Grey Enterprises Holdings, Inc.
 
 
Tears swim in my eyes. I hastily leave my desk and bolt to the restroom to escape into one of the stalls. José’s show. I’d forgotten all about it, and I promised him I’d go. Shit, Christian is right; how am I going to get there?
 
I clutch my forehead. Why hasn’t José phoned? Come to think of it—why hasn’t anyone phoned? I’ve been so absentminded I haven’t noticed that my cell phone has been silent.
 
Shit! I am such an idiot! I still have it set to forward calls to the BlackBerry. Holy hell. Christian’s been getting my calls—unless he’s just thrown the BlackBerry away. How did he get my e-mail address?
 
He knows my shoe size; an e-mail address is hardly going to present him with many problems.
 
Can I see him again? Could I bear it? Do I want to see him? I close my eyes and tilt my head back as grief and longing lance through me. Of course I do.
 
Perhaps—perhaps I can tell him I’ve changed my mind . . . No, no, no. I cannot be with someone who takes pleasure in inflicting pain on me, someone who can’t love me.
 
Torturous memories flash through my mind—the gliding, holding hands, kissing, the bathtub, his gentleness, his humor, and his dark, brooding, sexy stare. I miss him. It’s been five days, five days of agony that has felt like an eternity. I cry myself to sleep at night, wishing I hadn’t walked out, wishing that he could be different, wishing that we were together. How long will this hideous overwhelming feeling last? I am in purgatory.
 
I wrap my arms around my body, hugging myself tightly, holding myself together. I miss him. I really miss him . . . I love him. Simple.
 
Anastasia Steele, you are at work! I must be strong, but I want to go to José’s show, and deep down, the masochist in me wants to see Christian. Taking a deep breath, I head back to my desk.
 
 
From: Anastasia Steele
Subject: Tomorrow
Date: June 8 2011 14:25
To: Christian Grey
 
Hi Christian
 
Thank you for the flowers; they are lovely.
 
Yes, I would appreciate a lift.
 
Thank you.
 
Anastasia Steele
Assistant to Jack Hyde, Editor, SIP
 
 
Checking my phone, I find that it is still set to forward calls to the BlackBerry. Jack is in a meeting, so I quickly call José.
 
“Hi, José. It’s Ana.”
 
“Hello, stranger.” His tone is so warm and welcoming it’s almost enough to push me over the edge again.
 
“I can’t talk long. What time should I be there tomorrow for your show?”
 
“You’re still coming?” He sounds excited.
 
“Yes, of course.” I smile my first genuine smile in five days as I picture his broad grin.
 
“Seven thirty.”
 
“See you then. Good-bye, José.”
 
“Bye, Ana.”
 
 
From: Christian Grey
Subject: Tomorrow
Date: June 8 2011 14:27
To: Anastasia Steele
 
Dear Anastasia
 
What time shall I pick you up?
 
Christian Grey
CEO, Grey Enterprises Holdings, Inc.
 
 
From: Anastasia Steele
Subject: Tomorrow
Date: June 8 2011 14:32
To: Christian Grey
 
José’s show starts at 7:30. What time would you suggest?
 
Anastasia Steele
Assistant to Jack Hyde, Editor, SIP
 
 
From: Christian Grey
Subject: Tomorrow
Date: June 8 2011 14:34
To: Anastasia Steele
 
Dear Anastasia
 
Portland is some distance away. I shall pick you up at 5:45.
 
I look forward to seeing you.
 
Christian Grey
CEO, Grey Enterprises Holdings, Inc.
 
 
From: Anastasia Steele
Subject: Tomorrow
Date: June 8 2011 14:38
To: Christian Grey
 
See you then.
 
Anastasia Steele
Assistant to Jack Hyde, Editor, SIP
 
 
Oh my. I’m going to see Christian, and for the first time in five days, my spirits lift a fraction and I allow myself to wonder how he’s been.
 
Has he missed me? Probably not like I’ve missed him. Has he found a new submissive? The thought is so painful that I dismiss it immediately. I look at the pile of correspondence I need to sort for Jack and tackle it as I try to push Christian out of my mind once more.
 
That night in bed, I toss and turn, trying to sleep and it’s the first time in a while I haven’t cried myself to sleep.
 
In my mind’s eye, I visualize Christian’s face the last time I saw him as when I left. His tortured expression haunts me. I remember he didn’t want me to go, which was odd. Why would I stay when things had reached such an impasse? We were each skirting around our own issues—my fear of punishment, his fear of . . . what? Love?
 
Turning on my side, I hug my pillow, filled with an overwhelming sadness. He thinks he doesn’t deserve to be loved. Why does he feel that way? Does it have to do with his upbringing? His birth mom, the crack whore? My thoughts plague me into the early hours until eventually I fall into a fitful, exhausted sleep.
 
 
The day drags and drags and Jack is unusually attentive. I suspect it’s due to Kate’s plum dress and the black high-heeled boots I’ve stolen from her closet, but I don’t dwell on the thought. I resolve to go clothes shopping with my first paycheck. The dress is looser on me than it was, but I pretend not to notice.
 
Finally it’s five thirty, and I collect my jacket and purse, trying to quell my nerves. I’m going to see him!
 
“Do you have a date tonight?” Jack asks as he strolls past my desk on his way out.
 
“Yes. No. Not really.”
 
He raises an eyebrow, his interest clearly piqued. “Boyfriend?”
 
I flush. “No, a friend. An ex-boyfriend.”
 
“Maybe tomorrow you’d like to come for a drink after work. You’ve had a stellar first week, Ana. We should celebrate.” He smiles and an unknown, unsettling emotion flits across his face, making me uneasy.
 
Putting his hands in his pockets, he saunters through the double doors. I frown at his retreating back. Drinks with the boss, is that a good idea?
 
I shake my head. I have an evening of Christian Grey to get through first. How am I going to do this? I hurry into the restroom to make last-minute adjustments.
 
In the large mirror on the wall, I take a long, hard look at my face. I’m my usual pale self, dark circles around my too-large eyes. I look gaunt, haunted. I wish I knew how to use makeup. I apply some mascara and eyeliner and pinch my cheeks, hoping for some color. Tidying my hair so that it hangs artfully down my back, I take a deep breath. This will have to do.
 
Nervously I walk through the foyer with a smile and a wave to Claire at Reception. I think she and I could become friends. Jack is talking to Elizabeth as I head for the doors. Smiling broadly, he hurries over to open them for me.
 
“After you, Ana,” he murmurs.
 
“Thank you.” I smile, embarrassed.
 
Outside on the curb, Taylor is waiting. He opens the rear door of the car. I glance hesitantly at Jack, who has followed me out. He’s looking toward the Audi SUV in dismay.
 
I turn and climb into the back, and there he sits—Christian Grey—wearing his gray suit, no tie, white shirt open at the collar. His gray eyes are glowing.
 
My mouth dries. He looks glorious except he’s scowling at me. Why?
 
“When did you last eat?” he snaps as Taylor closes the door behind me.
 
Crap. “Hello, Christian. Yes, it’s nice to see you, too.”
 
“I don’t want your smart mouth now. Answer me.” His eyes blaze.
 
Holy shit. “Um . . . I had a yogurt at lunchtime. Oh—and a banana.”
 
“When did you last have a real meal?” he asks acidly.
 
Taylor slips into the driver’s seat, starts the car, and pulls out into the traffic.
 
I glance up and Jack is waving at me, though how he can see me through the dark glass, I don’t know. I wave back.
 
“Who’s that?” Christian snaps.
 
“My boss.” I peek up at the beautiful man beside me, and his mouth is pressed into a hard line.
 
“Well? Your last meal?”
 
“Christian, that really is none of your concern,” I murmur, feeling extraordinarily brave.
 
“Whatever you do concerns me. Tell me.”
 
No, it doesn’t. I groan in frustration, rolling my eyes heavenward, and Christian narrows his eyes. And for the first time in a long time, I want to laugh. I try hard to stifle the giggle that threatens to bubble up. Christian’s face softens as I struggle to keep a straight face, and a trace of a smile kisses his lovely sculptured lips.
 
“Well?” he asks, his voice softer.
 
“Pasta alla vongole, last Friday,” I whisper.
 
He closes his eyes as fury, and possibly regret, sweeps across his face. “I see,” he says, his voice expressionless. “You look like you’ve lost at least five pounds, possibly more since then. Please eat, Anastasia,” he scolds.
 
I stare down at the knotted fingers in my lap. Why does he always make me feel like an errant child?
 
He shifts and turns toward me. “How are you?” he asks, his voice still soft.
 
Well, I’m shit, really . . . I swallow. “If I told you I was fine, I’d be lying.”
 
He inhales sharply. “Me, too,” he murmurs and reaches over and clasps my hand. “I miss you,” he adds.
 
Oh no. Skin against skin.
 
“Christian, I—”
 
“Ana, please. We need to talk.”
 
I’m going to cry. No. “Christian, I . . . please . . . I’ve cried so much,” I whisper, trying to keep my emotions in check.
 
“Oh, baby, no.” He tugs my hand, and before I know it I’m on his lap. He has his arms around me, and his nose is in my hair.
 
“I’ve missed you so much, Anastasia,” he breathes.
 
I want to struggle out of his hold, to maintain some distance, but his arms are wrapped around me. He’s pressing me to his chest. I melt. Oh, this is where I want to be.
 
I rest my head against him, and he kisses my hair repeatedly. This is home. He smells of linen, fabric softener, body wash, and my favorite smell—Christian. For a moment, I allow myself the illusion that all will be well, and it soothes my ravaged soul.
 
A few minutes later Taylor pulls to a stop at the curb, even though we’re still in the city.
 
“Come”—Christian shifts me off his lap—“we’re here.”
 
What?
 
“Helipad—on the top of this building.” Christian glances toward the building by way of explanation.
 
Of course. Charlie Tango. Taylor opens the door and I slide out. He gives me a warm, avuncular smile that makes me feel safe. I smile back.
 
“I should give you back your handkerchief.”
 
“Keep it, Miss Steele, with my best wishes.”
 
I blush as Christian comes around the car and takes my hand. He looks quizzically at Taylor, who stares impassively back at him, revealing nothing.
 
“Nine?” Christian says to him.
 
“Yes, sir.”
 
Christian nods as he turns and leads me through the double doors into the grandiose foyer. I revel in the feel of his hand and his long, skilled fingers curled around mine. The familiar pull is there—I’m drawn, Icarus to his sun. I’ve been burned already, and yet here I am again.
 
Reaching the elevators, he presses the “call” button. I peek up at him, and he’s wearing his enigmatic half smile. As the doors open, he releases my hand and ushers me in.
 
The doors close and I risk a second peek. He glances down at me, and it’s there in the air between us, that electricity. It’s palpable. I can almost taste it, pulsing between us, drawing us together.
 
“Oh my,” I gasp as I bask briefly in the intensity of this visceral, primal attraction.
 
“I feel it, too,” he says, his eyes clouded and intense.
 
Desire pools dark and deadly in my groin. He clasps my hand and grazes my knuckles with his thumb, and all my muscles clench tightly, deliciously, deep inside me.
 
How can he still do this to me?
 
“Please don’t bite your lip, Anastasia,” he whispers.
 
I gaze up at him, releasing my lip. I want him. Here, now, in the elevator. How could I not?
 
“You know what it does to me,” he murmurs.
 
Oh, I still affect him. My inner goddess stirs from her five-day sulk.
 
Abruptly the doors open, breaking the spell, and we’re on the roof. It’s windy, and despite my black jacket, I’m cold. Christian puts his arm around me, pulling me into his side, and we hurry across to where Charlie Tango stands in the center of the helipad, with its rotor blades slowly spinning.
 
A tall, blond, square-jawed man in a dark suit leaps out and, ducking low, runs toward us. Shaking hands with Christian, he shouts above the noise of the rotors.
 
“Ready to go, sir. She’s all yours!”
 
“All checks done?”
 
“Yes, sir.”
 
“You’ll collect her around eight thirty?”
 
“Yes, sir.”
 
“Taylor’s waiting for you out front.”
 
“Thank you, Mr. Grey. Safe flight to Portland. Ma’am.” He salutes me. Without releasing me, Christian nods, ducks down, and leads me to the helicopter door.
 
Once inside he buckles me firmly into my harness, cinching the straps tight. He gives me a knowing look and his secret smile.
 
“This should keep you in your place,” he murmurs. “I must say I like this harness on you. Don’t touch anything.”
 
I flush a deep crimson, and he runs his index finger down my cheek before handing me the headphones. I’d like to touch you, too, but you won’t let me. I scowl. Besides, he’s pulled the straps so tight I can barely move.
 
He sits in his seat and buckles himself in, then starts running through all his preflight checks. He’s just so competent. It’s very alluring. He puts on his headphones and flips a switch and the rotors speed up, deafening me.
 
Turning, he gazes at me. “Ready, baby?” His voice echoes through the headphones.
 
“Yes.”
 
He grins his boyish grin. Wow—I’ve not seen it for so long.
 
“Sea-Tac tower, this is Charlie Tango Golf—Golf Echo Hotel, cleared for takeoff to Portland via PDX. Please confirm, over.”
 
The disembodied voice of the air traffic controller answers, issuing instructions.
 
“Roger, tower, Charlie Tango set, over and out.” Christian flips two switches, grasps the stick, and the helicopter rises slowly and smoothly into the evening sky.
 
Seattle and my stomach drop away from us, and there’s so much to see.
 
“We’ve chased the dawn, Anastasia, now the dusk,” his voice comes through on the headphones. I turn and gape at him in surprise.
 
What does this mean? How is it that he can say the most romantic things? He smiles, and I can’t help my shy smile.
 
“As well as the evening sun, there’s more to see this time,” he says.
 
The last time we flew to Seattle it was dark, but this evening the view is spectacular, literally out of this world. We’re up among the tallest buildings, going higher and higher.
 
“Escala’s over there.” He points toward the building. “Boeing there, and you can just see the Space Needle.”
 
I crane my head. “I’ve never been.”
 
“I’ll take you—we can eat there.”
 
“Christian, we broke up.”
 
“I know. I can still take you there and feed you.” He glares at me.
 
I shake my head and decide not to antagonize him. “It’s very beautiful up here, thank you.”
 
“Impressive, isn’t it?”
 
“Impressive that you can do this.”
 
“Flattery from you, Miss Steele? But I’m a man of many talents.”
 
“I’m fully aware of that, Mr. Grey.”
 
He turns and smirks at me, and for the first time in five days, I relax a little. Perhaps this won’t be so bad.
 
“How’s the new job?”
 
“Good, thank you. Interesting.”
 
“What’s your boss like?”
 
“Oh, he’s okay.” How can I tell Christian that Jack makes me uncomfortable? Christian glances at me.
 
“What’s wrong?” he asks.
 
“Aside from the obvious, nothing.”
 
“The obvious?”
 
“Oh, Christian, you really are very obtuse sometimes.”
 
“Obtuse? Me? I’m not sure I appreciate your tone, Miss Steele.”
 
“Well, don’t, then.”
 
His lips twitch into a smile. “I have missed your smart mouth, Anastasia.”
 
I gasp and I want to shout, I’ve missed you—all of you—not just your mouth! But I keep quiet and gaze out the glass fishbowl that is Charlie Tango’s windshield as we continue south. The dusk is to our right, the sun low on the horizon—large, blazing fiery orange—and I am Icarus again, flying far too close.

Go Set a Watchman: A Novel

<br />Go Set a Watchman: A Novel


Product ASIN:

0062409859

Product Description

An historic literary event: the publication of a newly discovered novel, the earliest known work from Harper Lee, the beloved, bestselling author of the Pulitzer Prize-winning classic, To Kill a Mockingbird.

Originally written in the mid-1950s, Go Set a Watchman was the novel Harper Lee first submitted to her publishers before To Kill a Mockingbird. Assumed to have been lost, the manuscript was discovered in late 2014.

Go Set a Watchman features many of the characters from To Kill a Mockingbird some twenty years later. Returning home to Maycomb to visit her father, Jean Louise Finch—Scout—struggles with issues both personal and political, involving Atticus, society, and the small Alabama town that shaped her.

Exploring how the characters from To Kill a Mockingbird are adjusting to the turbulent events transforming mid-1950s America, Go Set a Watchman casts a fascinating new light on Harper Lee’s enduring classic. Moving, funny and compelling, it stands as a magnificent novel in its own right.


Product Details

  • Amazon Sales Rank: #8 in Books
  • Published on: 2015-07-14
  • Released on: 2015-07-14
  • Format: Deckle Edge
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.01" w x 6.00" l, .0 pounds
  • Binding: Hardcover
  • 304 pages

Editorial Reviews

About the Author

Harper Lee was born in 1926 in Monroeville, Alabama. She attended Huntingdon College and studied law at the University of Alabama. She is the author of two novels, To Kill a Mockingbird and Go Set a Watchman. Harper Lee has been awarded numerous literary awards, including the Pulitzer Prize and the Presidential Medal of Freedom.

All the Light We Cannot See: A Novel

<br />All the Light We Cannot See: A Novel


Product ASIN:

1476746583

Product Description

NATIONAL BOOK AWARD FINALIST
From the highly acclaimed, multiple award-winning Anthony Doerr, the beautiful, stunningly ambitious instant New York Times bestseller about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II.

Marie-Laure lives with her father in Paris near the Museum of Natural History, where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great-uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.

In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge.

Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).


Product Details

  • Amazon Sales Rank: #4 in Books
  • Published on: 2014-05-06
  • Released on: 2014-05-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.70" w x 6.00" l, 1.55 pounds
  • Binding: Hardcover
  • 531 pages

Editorial Reviews

Amazon.com Review

An Amazon Best Book of the Month, May 2014: Does the world need yet another novel about WWII? It does when the novel is as inventive and beautiful as this one by Anthony Doerr. In fact, All the Light We Cannot See--while set mostly in Germany and France before and during the war--is not really a “war novel”. Yes, there is fear and fighting and disappearance and death, but the author’s focus is on the interior lives of his two characters. Marie Laure is a blind 14-year-old French girl who flees to the countryside when her father disappears from Nazi-occupied Paris. Werner is a gadget-obsessed German orphan whose skills admit him to a brutal branch of Hitler Youth. Never mind that their paths don’t cross until very late in the novel, this is not a book you read for plot (although there is a wonderful, mysterious subplot about a stolen gem). This is a book you read for the beauty of Doerr’s writing-- “Abyss in her gut, desert in her throat, Marie-Laure takes one of the cans of food…”--and for the way he understands and cherishes the magical obsessions of childhood. Marie Laure and Werner are never quaint or twee. Instead they are powerful examples of the way average people in trying times must decide daily between morality and survival. --Sara Nelson

From Booklist
*Starred Review* A novel to live in, learn from, and feel bereft over when the last page is turned, Doerr’s magnificently drawn story seems at once spacious and tightly composed. It rests, historically, during the occupation of France during WWII, but brief chapters told in alternating voices give the overall—and long—­narrative a swift movement through time and events. We have two main characters, each one on opposite sides in the conflagration that is destroying Europe. Marie-Louise is a sightless girl who lived with her father in Paris before the occupation; he was a master locksmith for the Museum of Natural History. When German forces necessitate abandonment of the city, Marie-Louise’s father, taking with him the museum’s greatest treasure, removes himself and his daughter and eventually arrives at his uncle’s house in the coastal city of Saint-Malo. Young German soldier Werner is sent to Saint-Malo to track Resistance activity there, and eventually, and inevitably, Marie-Louise’s and Werner’s paths cross. It is through their individual and intertwined tales that Doerr masterfully and knowledgeably re-creates the deprived civilian conditions of war-torn France and the strictly controlled lives of the military occupiers.High-Demand Backstory: A multipronged marketing campaign will make the author’s many fans aware of his newest book, and extensive review coverage is bound to enlist many new fans. --Brad Hooper

Review
“Exquisite…Mesmerizing…Nothing short of brilliant.” (Alice Evans Portland Oregonian)

“Hauntingly beautiful.” (Janet Maslin The New York Times)

“History intertwines with irresistible fiction—secret radio broadcasts, a cursed diamond, a soldier’s deepest doubts—into a richly compelling, bittersweet package.” (Mary Pols People (3 1/2 stars))

“Anthony Doerr again takes language beyond mortal limits.” (Elissa Schappell Vanity Fair)

“The whole enthralls.” (Good Housekeeping)

“Enthrallingly told, beautifully written…Every piece of back story reveals information that charges the emerging narrative with significance, until at last the puzzle-box of the plot slides open to reveal the treasure hidden inside.” (Amanda Vaill Washington Post)

“Stupendous…A beautiful, daring, heartbreaking, oddly joyous novel.” (David Laskin The Seattle Times)

“Stunning and ultimately uplifting… Doerr’s not-to-be-missed tale is a testament to the buoyancy of our dreams, carrying us into the light through the darkest nights.” (Entertainment Weekly)

“Doerr has packed each of his scenes with such refractory material that All the Light We Cannot See reflects a dazzling array of themes….Startlingly fresh.” (John Freeman The Boston Globe)

“Gorgeous… moves with the pace of a thriller… Doerr imagines the unseen grace, the unseen light that, occasionally, surprisingly, breaks to the surface even in the worst of times.” (Dan Cryer San Francisco Chronicle)

“Incandescent… a luminous work of strife and transcendence… with characters as noble as they are enthralling” (Hamilton Cain O, the Oprah magazine)

“Perfectly captured…Doerr writes sentences that are clear-eyed, taut, sweetly lyrical.” (Josh Cook Minneapolis Star Tribune)

“A beautiful, expansive tale…Ambitious and majestic.” (Steph Cha Los Angeles Times)

“This tough-to-put-down book proves its worth page after lyrical page…Each and every person in this finely spun assemblage is distinct and true.” (Sharon Peters USA Today)

“Doerr is an exquisite stylist; his talents are on full display.” (Alan Cheuse NPR)

“Vivid…[All the Light We Cannot See] brims with scrupulous reverence for all forms of life. The invisible light of the title shines long after the last page.” (Tricia Springstubb Cleveland Plain Dealer)

“Intricate… A meditation on fate, free will, and the way that, in wartime, small choices can have vast consequences.” (New Yorker)

“Doerr deftly guides All the Light We Cannot See toward the day Werner’s and Marie-Laure lives intersect during the bombing of Saint-Malo in what may be his best work to date.” (Yvonne Zipp Christian Science Monitor)

“To open a book by Anthony Doerr is to open a door on humanity…His sentences shimmer…His paragraphs are luminous with bright, sparkling beauty.” (Martha Anne Toll Washington Independent Review of Books)

“Endlessly bold and equally delicate…An intricate miracle of invention, narrative verve, and deep research lightly held, but above all a miracle of humanity….Anthony Doerr’s novel celebrates—and also accomplishes—what only the finest art can: the power to create, reveal, and augment experience in all its horror and wonder, heartbreak and rapture.” (Shelf Awareness)

“Magnificent.” (Carmen Callil The Guardian (UK))

“Intricately structured…All the Light We Cannot See is a work of art and of preservation.” (Jane Ciabattari BBC)

“A revelation.” (Michael Magras BookReporter.com)

“Anthony Doerr writes beautifully… A tour de force.” (Elizabeth Reed Deseret Morning News)

“A novel to live in, learn from, and feel bereft over when the last page is turned, Doerr’s magnificently drawn story seems at once spacious and tightly composed. . . . Doerr masterfully and knowledgeably recreates the deprived civilian conditions of war-torn France and the strictly controlled lives of the military occupiers.” (Booklist (starred review))

“Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.” (Kirkus Reviews (starred review))

“If a book’s success can be measured by its ability to move readers and the number of memorable characters it has, Story Prize-winner Doerr’s novel triumphs on both counts. He convinces readers...that war—despite its desperation, cruelty, and harrowing moral choices—cannot negate the pleasures of the world.” (Publishers Weekly (starred review))

“This novel has the physical and emotional heft of a masterpiece…[All the Light We Cannot See] presents two characters so interesting and sympathetic that readers will keep turning the pages hoping for an impossibly happy ending…Highly recommended for fans of Michael Ondaatje’s The English Patient.” (Evelyn Beck Library Journal (starred review))

"What a delight! This novel has exquisite writing and a wonderfully suspenseful story. A book you'll tell your friends about..." (Frances Itani, author of Deafening)

“This jewel of a story is put together like a vintage timepiece, its many threads coming together so perfectly. Doerr’s writing and imagery are stunning. It’s been a while since a novel had me under its spell in this fashion. The story still lives on in my head.” (Abraham Verghese, author of Cutting for Stone)

All the Light We Cannot See is a dazzling, epic work of fiction. Anthony Doerr writes beautifully about the mythic and the intimate, about snails on beaches and armies on the move, about fate and love and history and those breathless, unbearable moments when they all come crashing together.” (Jess Walter, author of Beautiful Ruins)

“Doerr sees the world as a scientist, but feels it as a poet. He knows about everything—radios, diamonds, mollusks, birds, flowers, locks, guns—but he also writes a line so beautiful, creates an image or scene so haunting, it makes you think forever differently about the big things—love, fear, cruelty, kindness, the countless facets of the human heart. Wildly suspenseful, structurally daring, rich in detail and soul, Doerr’s new novel is that novel, the one you savor, and ponder, and happily lose sleep over, then go around urging all your friends to read—now.” (J.R. Moehringer, author of Sutton and The Tender Bar)

“A tender exploration of this world's paradoxes; the beauty of the laws of nature and the terrible ends to which war subverts them; the frailty and the resilience of the human heart; the immutability of a moment and the healing power of time. The language is as expertly crafted as the master locksmith's models in the story, and the settings as intricately evoked. A compelling and uplifting novel.” (M.L. Stedman, author of The Light Between Oceans)

“The craftsmanship of Doerr’s book is rooted in his ability to inhabit the lives of Marie-Laure and Werner…[A] fine novel.” (Steve Novak Pittsburgh Post-Gazette)

“Beautifully written… Soulful and addictive.” (Chris Stuckenschneider The Missourian)

“Doerr conjures up a vibrating, crackling world…Intricately, beautifully crafted.” (Rebecca Kelley Bustle.com)

“There is so much in this book. It is difficult to convey the complexity, the detail, the beauty and the brutality of this simple story.” (Carole O'Brien Aspen Daily News)

“Sometimes a novel doesn’t merely transport. It immerses, engulfs, keeps you caught within its words until the very end, when you blink and remember there’s a world beyond the pages. All the Light We Cannot See is such a book… Vibrant, poignant, delicately exquisite. Despite the careful building of time and place (so vivid you fall between the pages), it’s not a story of history; it’s a story of people living history.” (Historical Novel Society)

Fifty Shades Trilogy (Fifty Shades of Grey / Fifty Shades Darker / Fifty Shades Freed)

<br />Fifty Shades Trilogy (Fifty Shades of Grey / Fifty Shades Darker / Fifty Shades Freed)


Product ASIN:

034580404X

Product Description

FIFTY SHADES OF GREY IS NOW A MAJOR MOTION PICTURE
Now available as a three-volume paperback boxed set, E L James’s New York Times #1 bestselling trilogy has been hailed by Entertainment Weekly as being “in a class by itself.” Beginning with the GoodReads Choice Award Romance Finalist Fifty Shades of Grey, the Fifty Shades Trilogy will obsess you, possess you, and stay with you forever.
 
This boxed set includes the following novels:
 
FIFTY SHADES OF GREY: When college student Anastasia Steele goes to interview young entrepreneur Christian Grey, she encounters a man who is beautiful, brilliant, and intimidating.  The unworldly Ana realizes she wants this man, and Grey admits he wants her, too—but on his own terms. When the couple embarks on a daring, passionately physical affair, Ana discovers Christian’s secrets and explores her own desires.
 
FIFTY SHADES DARKER: Daunted by Christian’s dark secrets and singular tastes, Ana has broken off their relationship to start a new career. But desire for Christian still dominates her every waking thought. They rekindle their searing sensual affair, and while Christian wrestles with his inner demons, Ana is forced to make the most important decision of her life.
 
FIFTY SHADES FREED: Now, Ana and Christian have it all—love, passion, intimacy, wealth, and a world of possibilities for their future. But Ana knows that loving her Fifty Shades will not be easy, and that being together will pose challenges that neither of them would anticipate. Just when it seems that their strength together will eclipse any obstacle, misfortune, malice, and fate conspire to turn Ana’s deepest fears into reality.

This book is intended for mature audiences.


Product Details

  • Amazon Sales Rank: #9 in Books
  • Brand: Random House
  • Model: RH4044
  • Published on: 2012-06-12
  • Released on: 2012-06-12
  • Original language: English
  • Number of items: 3
  • Dimensions: 8.20" h x 2.91" w x 5.19" l, 1.20 pounds
  • Binding: Paperback
  • 1625 pages

Features

  • None

Editorial Reviews

About the Author
E L James is a former TV executive, wife and mother of two based in West London. Since early childhood she dreamed of writing stories that readers would fall in love with, but put those dreams on hold to focus on her family and her career. She finally plucked up the courage to put pen to paper with her first novel, Fifty Shades of Grey.

The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing

<br />The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing


Product ASIN:

1607747308

Product Description

This #1 New York Times best-selling guide to decluttering your home from Japanese cleaning consultant Marie Kondo takes readers step-by-step through her revolutionary KonMari Method for simplifying, organizing, and storing.

Despite constant efforts to declutter your home, do papers still accumulate like snowdrifts and clothes pile up like a tangled mess of noodles?

Japanese cleaning consultant Marie Kondo takes tidying to a whole new level, promising that if you properly simplify and organize your home once, you’ll never have to do it again. Most methods advocate a room-by-room or little-by-little approach, which doom you to pick away at your piles of stuff forever. The KonMari Method, with its revolutionary category-by-category system, leads to lasting results. In fact, none of Kondo’s clients have lapsed (and she still has a three-month waiting list). 

With detailed guidance for determining which items in your house “spark joy” (and which don’t), this international bestseller featuring Tokyo’s newest lifestyle phenomenon will help you clear your clutter and enjoy the unique magic of a tidy home—and the calm, motivated mindset it can inspire.


Product Details

  • Amazon Sales Rank: #4 in Books
  • Published on: 2014-10-14
  • Released on: 2014-10-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.26" h x .85" w x 5.22" l, .60 pounds
  • Binding: Hardcover
  • 224 pages

Editorial Reviews

Review
#1 New York Times Best Seller

Amazon's Best Book of 2014 in Crafts, Home & Garden


"Ms. Kondo delivers her tidy manifesto like a kind of Zen nanny, both hortatory and animistic." -- The New York Times

"The most organized woman in the world." -- PureWow

"...the Japanese expert’s ode to decluttering is simple and easy to follow." -- Vogue.com

"All hail the new decluttering queen Marie Kondo, whose mess-busting bestseller has prompted a craze for tidying in homes across the world ... one proper clear out is all you need for the rest of your life." -- Good Housekeeping (UK)

"Kondo challenges you to ask yourself whether each object you have is achieving a purpose. Is it propelling you forward or holding you in the past?" -- USA Today

"...a brief and bracing practical guide to tidying up your home." -- Financial Times

"[It is] enough to salute Kondo for her recognition of something quietly profound: that mess is often about unhappiness, and that the right kind of tidying can be a kind of psychotherapy for the home as well as for the people in it ... Its strength is its simplicity." -- The London Times

About the Author
Marie “KonMari” Kondo runs an acclaimed consulting business in Tokyo helping clients transform their cluttered homes into spaces of serenity and inspiration. With a three-month waiting list, her KonMari Method of decluttering and organizing has become an international phenomenon. The Life-Changing Magic of Tidying Up is a best seller in Japan, Germany, and the UK, with more than two million copies sold worldwide, and has been turned into a television drama for Japanese TV. She has been featured on more than thirty major Japanese television and radio programs and in the Sunday Times, Red magazine, You magazine, the New York Times, USA Today, NPR's Here & Now, Slate, Family Circle, and the London Times, who has deemed her “Japan’s preeminent guru of tidiness, a warrior princess in the war on clutter.”

Excerpt. © Reprinted by permission. All rights reserved.
Introduction

In this book, I have summed up how to put your space in order in a way that will change your life forever.

Impossible? A common response and not surprising, considering that almost everyone has experienced a rebound effect at least once, if not multiple times, after tidying. 

Have you ever tidied madly, only to find that all too soon your home or workspace is cluttered again? If so, let me share with you the secret of success. Start by discarding. Then organize your space, thoroughly, completely, in one go. If you adopt this approach—the KonMari Method—you’ll never revert to clutter again.

Although this approach contradicts conventional wisdom, everyone who completes my private course has successfully kept their house in order—with unexpected results. Putting their house in order positively affects all other aspects of their lives, including work and family. Having devoted more than 80 percent of my life to this subject, I know that tidying can transform your life.

Does it still sound too good to be true? If your idea of tidying is getting rid of one unnecessary item a day or cleaning up your room a little at a time, then you are right. It won’t have much effect on your life. If you change your approach, however, tidying can have an immeasurable impact. In fact, that is what it means to put your house in order. 

I started reading home and lifestyle magazines when I was five, and it was this that inspired me, from the age of fifteen, to undertake a serious study of tidying that led to my development of the KonMari Method (based on a combination of my first and last names). I am now a consultant and spend most of my days visiting homes and offices, giving hands-on advice to people who find it difficult to tidy, who tidy but suffer rebounds, or who want to tidy but don’t know where to start.

The number of things my clients have discarded, from clothes and undergarments to photos, pens, magazine clippings, and makeup samples, easily exceeds a million items. This is no exaggeration. I have assisted individual clients who have thrown out two hundred 45-liter
garbage bags in one go.

From my exploration of the art of organizing and my experience helping messy people become tidy, there is one thing I can say with confidence: A dramatic reorganization of the home causes correspondingly dramatic changes in lifestyle and perspective. It is life transforming. I mean it. Here are just a few of the testimonies I receive on a daily basis from former clients.


After your course, I quit my job and launched my own business doing something I had dreamed of doing ever since I was a child.Your course taught me to see what I really need and what I don’t. So I got a divorce. Now I feel much happier.Someone I have been wanting to get in touch with recently contacted me.I’m delighted to report that since cleaning up my apartment, I’ve been able to really increase my sales.My husband and I are getting along much better. I’m amazed to find that just throwing things away has changed me so much. I finally succeeded in losing ten pounds.

My clients always sound so happy, and the results show that tidying has changed their way of thinking and their approach to life. In fact, it has changed their future. Why? This question is addressed in more detail throughout the book, but basically, when you put your house in order, you put your affairs and your past in order, too. As a result, you can see quite clearly what you need in life and what you don’t, and what you should and shouldn’t do. 

I currently offer a course for clients in their homes and for company owners in their offices. These are all private, one-on-one consultations, but I have yet to run out of clients. There is currently a three-month waiting list, and I receive inquiries daily from people who have been introduced by a former client or who have heard about the course from someone else. I travel from one end of Japan to the other and sometimes even overseas. Tickets for one of my public talks for stay-at-home parents sold out overnight. There was a waiting list not only for cancellations but also for the waiting list. Yet my repeater rate is zero. From a business perspective, this would appear to be a fatal flaw. But what if my lack of repeaters was actually the secret to the popularity of my approach? 

As I said at the beginning, people who use the KonMari Method never revert to clutter again. Because they can keep their space in order, they don’t need to come back for more lessons. I occasionally check in with graduates of my courses to see how they are doing. In almost every case, not only is their home or office still in order but they are continuing to improve their space. It is evident from the photographs they send that they have even fewer belongings than when they finished the course, and have acquired new curtains and furnishings. They are surrounded only by the things they love. 

Why does my course transform people? Because my approach is not simply a technique. The act of tidying is a series of simple actions in which objects are moved from one place to another. It involves putting things away where they belong. This seems so simple that even a six-year-old should be able to do it. Yet most people can’t. A short time after tidying, their space is a disorganized mess. The cause is not lack of skills but rather lack of awareness and the inability to make tidying a regular habit. In other words, the root of the problem lies in the mind. Success is 90 percent dependent on our mind-set. Excluding the fortunate few to whom organizing comes naturally, if we do not address this aspect, rebound is inevitable no matter how much is discarded or how cleverly things are organized.

So how can you acquire the right kind of mind-set? There is just one way, and, paradoxically, it is by acquiring the right technique. Remember: the KonMari Method I describe in this book is not a mere set of rules on how to sort, organize, and put things away. It is a guide to acquiring the right mind-set for creating order and becoming a tidy person. 

Of course, I can’t claim that all my students have perfected the art of tidying. Unfortunately, some had to stop for one reason or another before completing the course. And some quit because they expected me to do the work for them. As an organizing fanatic and professional, I can tell you right now that no matter how hard I try to organize another’s space, no matter how perfect a storage system I devise, I can never put someone else’s house in order in the true sense of the term. Why? Because a person’s awareness and perspective on his or her own lifestyle are far more important than any skill at sorting, storing, or whatever. Order is dependent on the extremely personal values of what a person wants to live with. 

Most people would prefer to live in a clean and tidy space. Anyone who has managed to tidy even once will have wished to keep it that way. But many don’t believe it’s possible. They try out various approaches to tidying only to find that things soon return to “normal.” I am absolutely convinced, however, that everyone can keep his or her space in order. 

To do that, it is essential to thoroughly reassess your habits and assumptions about tidying. That may sound like far too much work, but don’t worry. By the time you finish reading this book, you will be ready and willing. People often tell me, “I’m disorganized by nature,”
“I can’t do it,” or “I don’t have time”; but being messy is not hereditary nor is it related to lack of time. It has far more to do with the accumulation of mistaken notions about tidying, such as “it’s best to tackle one room at a time” or “it’s better to do a little each day” or “storage should follow the flow plan of the house.” 

In Japan, people believe that things like cleaning your room and keeping your bathroom spick-and-span bring good luck, but if your house is cluttered, the effect of polishing the toilet bowl is going to be limited. The same is true for the practice of feng shui. It is only when you put your house in order that your furniture and decorations come to life.

When you’ve finished putting your house in order, your life will change dramatically. Once you have experienced what it’s like to have a truly ordered house, you’ll feel your whole world brighten. Never again will you revert to clutter. This is what I call the magic of tidying. And the effects are stupendous. Not only will you never be messy again, but you’ll also get a new start on life. This is the magic I want to share with as many people as possible.

American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History

<br />American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History


Product ASIN:

0062238868

Product Description

NOW A BLOCKBUSTER MOTION PICTURE DIRECTED BY CLINT EASTWOOD—NOMINATED FOR SIX ACADEMY AWARDS, INCLUDING BEST PICTURE

From 1999 to 2009, U.S. Navy Seal Chris Kyle recorded the most career sniper kills in United States military history. His fellow American warriors, whom he protected with deadly precision from rooftops and stealth positions during the Iraq War, called him “The Legend”; meanwhile, the enemy feared him so much they named him al-Shaitan (“the devil”) and placed a bounty on his head. Kyle, who was tragically killed in 2013, writes honestly about the pain of war—including the deaths of two close SEAL teammates—and in moving first-person passages throughout, his wife, Taya, speaks openly about the strains of war on their family, as well as on Chris. Gripping and unforgettable, Kyle’s masterful account of his extraordinary battlefield experiences ranks as one of the great war memoirs of all time.


Product Details

  • Amazon Sales Rank: #2 in Books
  • Brand: Harper
  • Published on: 2013-01-29
  • Released on: 2013-01-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x 1.03" w x 4.19" l, .58 pounds
  • Binding: Mass Market Paperback
  • 448 pages

Features

  • Great product!

Editorial Reviews

Review
#1 NEW YORK TIMES BESTSELLER (No Source)

“Chris Kyle tells his story with the same courage and grit he displayed in life and on the battlefield. American Sniper is a compelling read.” (CLINT EASTWOOD)

“[My] favorite book of the year. Chris Kyle’s American Sniper is an amazingly detailed account of fighting in Iraq -- a humanizing, brave story that’s extremely readable.” (PATRICIA CORNWELL, New York Times Book Review)

“In the community of elite warriors, one man has risen above our ranks and distinguished himself as unique. Chris Kyle is that man. A master sniper, Chris has done and seen things that will be talked about for generations to come.” (MARCUS LUTTRELL, former USN SEAL, recipient of the Navy Cross for extraordinary heroism under fire, #1 bestselling author of Lone Survivor)

“The raw and unforgettable narrative of the making of our country’s record-holding sniper, Chris Kyle’s memoir is a powerful book, both in terms of combat action and human drama. Chief Kyle is a true American warrior down to the bone, the Carlos Hathcock of a new generation.” (CHARLES W. SASSER, Green Beret (US Army Ret.) and author of One Shot, One Kill)

American Sniper is the inside story of what it’s like to be in war. A brave warrior and patriot, Chris Kyle writes frankly about the missions, personal challenges, and hard choices that are part of daily life of an elite SEAL Sniper. It’s a classic!” (RICHARD MARCINKO (USN, Ret.), First Commanding Officer of SEAL Team Six and #1 bestselling author of Rogue Warrior)

“Eloquent ... An aggressively written account of frontline combat, with plenty of action.” (KIRKUS REVIEWS)

“Reads like a first-person thriller narrated by a sniper. The bare-bones facts are stunning. .... A first-rate military memoir.” (BOOKLIST)

From the Back Cover

NOW A BLOCKBUSTER MOTION PICTURE DIRECTED BY CLINT EASTWOOD—NOMINATED FOR SIX ACADEMY AWARDS, INCLUDING BEST PICTURE

He is the deadliest American sniper ever, called "the devil" by the enemies he hunted and "the legend" by his Navy SEAL brothers . . .

From 1999 to 2009, U.S. Navy SEAL Chris Kyle recorded the most career sniper kills in United States military history. The Pentagon has officially confirmed more than 150 of Kyle's kills (the previous American record was 109), but it has declined to verify the astonishing total number for this book. Iraqi insurgents feared him so much they placed a bounty on his head. Kyle earned legendary status among his fellow U.S. warriors, whom he protected with deadly accuracy from rooftops and stealth positions. Gripping and unforgettable, Kyle's masterful account of his extraordinary battlefield experiences ranks as one of the great war memoirs of all time.

About the Author

SEAL Team 3 chief Chris Kyle (1974-2013) served four combat tours in Operation Iraqi Freedom and elsewhere. For his bravery in battle, he was awarded two Silver Stars, five Bronze Stars with Valor, two Navy and Marine Corps Achievement Medals, one Navy and Marine Corps Commendation, and numerous other citations. In 2005 he received the Grateful Nation Award, given by the Jewish Institute for National Security Affairs. Following his combat deployments, he became chief instructor for training Naval Special Warfare Sniper and Counter-Sniper teams, and he authored the Naval Special Warfare Sniper Doctrine, the first Navy SEAL sniper manual.

Kyle is also the author of the New York Times bestseller American Gun: A History of the U.S. in Ten Firearms. He lived with his family in Texas, where he devoted much of his spare time to supporting veterans.



Scott McEwen is a trial lawyer in San Diego.



Jim DeFelice is the author of Omar Bradley: General at War, the first in-depth critical biography of America's last five-star general. He also writes a number of acclaimed military thrillers, including the Rogue Warrior series with Richard Marcinko, founder of SEAL Team 6, and the novels in the Dreamland series with Dale Brown.